We are in the third day of training sessions for Nollywood UP, the capacity building program designed by Nollywood Workshops and CONGA President Bond Emeruwa, and backed by the Lagos State Government. Today, Nigerian film professionals will be holding seminars on acting, screenwriting, directing, production design, cinematography, and the business of film production. Later today, the screenwriters will be pitching their projects to the business of film professionals. The cinematographers have been shooting footage throughout the week, and I am very excited to see what they have put together. All in all, the workshops are getting Nollywood professionals to talk to one another about how they can experiment, take creative risks, and explore novelty in the industry. Lagos State Government has been represented at the event by Moji Rhodes, Governor Fashola’s deputy chief of staff.
I want to emphasize the efforts the organizers have made to frame their project such that it consciously avoids creating a hierarchy between American and Nigerian filmmaking. On day one, I was very happy to see Peace Anyiam-Osigwe, the head of the African Movie Academy Awards (AMAA), teaching the business of film seminar about low-capital strategies to keep one step ahead of piracy. On the second day, veteran filmmaker Tunde Kelani took to the classroom to teach students production management techniques that were, in my opinion, extremely practical specifically for Nigerian filmmakers. The challenges that Nigeria’s environment throws in one’s way are unlike those challenges faced by the American trainers, so it has been a real strength of Nollywood UP that figures like Tunde Kelani, Peace Anyiam-Osigwe, and Kunle Afolayan have agreed to supplement the curriculum with their own knowledge and expertise.