It has been five years since the inception of this blog and everything has come full circle. This evening, I went to the U.S. Department of State to attend a screening of Dawn in the Creeks: A Niger Delta Legacy, a reality series directed by Jeta Amata. It was beyond serendipitous to witness this collaboration between my current employer and my past research passion.
“Nigeria is important for its promise.” U.S. Consul General Jeffrey Hawkins cited Nigeria’s economic and population supremacy in Africa when he talked about the right time to address the “negative narrative that violence pays.” Dawn in the Creeks follows 21 Niger Delta youths – ranging from okada drivers to ex-militants – selected by Amata to go through filmmaking and leadership training to make movies on non-violent resolution. Per the State Department, “Their films tell true stories of non-violent transformation and challenge the narrative that violence is a predominant legacy for the Niger Delta.” This project was the result of a yearlong collaboration among the Bureau of African Affairs, the Bureau of Conflict and Stabilization Operations, the U.S. Consulate in Lagos, Amata, and the Niger Delta Legacy Board of Advisors.
Amata was emphatic on the power of the film industry to change attitudes and affect lives: “Our problem in Nigeria is that we have no way of expressing ourselves, which builds up a lot of anger. I wanted to give [the youths] a way to tell their own stories and how best to send a message than Nollywood?”
Hawkins mentioned an unprecedented poll of 3,000 households in the Delta is being rolled out to monitor and evaluate the impact of the program in changing communities’ perspectives. However, the biggest measure of sustainability would be if the project could continue without the monetary support of the U.S. government – which brings the discussion back to the twin Nollywood conundrums of funding and distribution. Amata, who has already signed on for the second season, believes that the key to monetization lies in building the series’ brand, which is being strengthened daily by millions of Nigerians viewers across eight national TV channels. On a personal note, I am impressed by the Department’s creative deployment of “soft diplomacy,” but it is unclear how the project can continue without USG funds. What do you think – how can Dawn in the Creeks become self-sustainable?